This book was made to accompany Marcus Harvey’s 'Glass Paintings', which were presented at Reflex Gallery, Amsterdam in 2012. This prints series of 'seen through glass'-style paintings (a technique Harvey began exploring a decade ago) is bound up with themes of domesticity and voyeurism. Through the fragmenting prism of a textured-glass door, intimate acts and objects are partly obscured: a woman on the toilet, a lone toilet roll, a child in a Batman outfit. Some of the works, featuring masks and clowns, add another visual layer to imagine beyond; in others, a candle and a skull pay homage to the Dutch tradition of still life and vanitas painting – a surprisingly grave note. Harvey describes the paintings as 'in a sense mechanical transcriptions' and comments that 'the exciting part is the performance behind the door'.
Marcus Harvey was born in Leeds, 1963, and currently lives and works in London. He graduated from Goldsmiths College in 1986 and took part in Some Went Mad, Some Ran Away at the Serpentine Gallery, London, in 1994.
Marcus Harvey makes highly worked figurative paintings and sculptures. He seeks out imagery that is emblematic of a brutish but proud Britishness. Often his imagery is problematic or controversial, his most infamous work perhaps being ‘Myra’ which was exhibited as part of the groundbreaking exhibition Sensation in 1997. Unprecedented national and international media attention ensued as the painting had been created with repeated child’s handprints in the image of the infamous child-murderer Myra Hindley. Another early image source for Harvey was pornographic magazines, which was the inspiration for the series ‘Readers Wives’. Since 2000, Harvey has created a series of door-panel paintings, which depict domestic vignettes in a way that mimics the distorting effect of patterned glass. Having concentrated on figurative painting for most of his career, Harvey has recently turned to sculpture, producing work that maintains the same playfully provocative style of his paintings.
Solo exhibitions include Mary Boone Gallery, New York, 2002; Mimmo Scognamiglio, Naples, 2005 and Albion, Galleria Marabini, Bologna, 2007. Recent group shows include Sensation, Royal Academy of Arts, London, 1997; Happy the World so Made, The Nunnery, London, 2001; Closer, Standpoint Gallery, London, 2002; London Calling. Young British Artists Criss-Crossed, Galleri Kaare Berntsen, Oslo, 2005; Summer Exhibition, Royal Academy of Arts, London, 2007 and You Dig The Tunnel, I’ll Hide The Soil, White Cube, Hoxton Square and Shoreditch Town Hall, London, 2008.