"One of two portraits of Frida Kahlo, herself an accomplished cook - for the cover of my friend’s quarterly food journal WOLF - executed whilst blindfolded in a game of Exquisite Corpse with myself." Sue Webster
Since Tim Noble and Sue Webster's first solo show in London, British Rubbish in 1996, the duo have enjoyed international recognition with solo exhibitions at Rockefeller Plaza, New York, 2008, The Freud Museum, London, 2006, CAC Malaga, 2005, Museum of Fine Arts, Boston, 2004, P.S.1/MoMA, New York, 2003, Milton Keynes Gallery, UK, 2002, Deste Foundation, Athens, 2000 and The Chisenhale Gallery, London, 1999. Their work was included in Statuephilia—Contemporary Sculptors at The British, London in 2008–09 and in the exhibition Apocalypse—Beauty and Horror in Contemporary Art, at The Royal Academy, London, 2000. Toxic Schizophrenia (Hyper Version) their first permanent public sculpture was unveiled at Museum of Contemporary Art, Denver, May 2009. Previously the public art installation Electric Fountain, was exhibited at Rockefeller Plaza, New York, February 2008. In 2009 the Trustees of the National Portrait Gallery selected The Head of Isabella Blow for inclusion to its permanent collection.
Their work is in the permanent collections of the Arken Museum of Modern Art, Copenhagen; Art Gallery of South Australia, Adelaide; Artis-François Pinault, France; Berengo Studio, Venice; The British Museum, London; Dakis Joannou Collection, Athens; Es Baluard Museum, Palma, Spain; The Goss-Michael Collection, Dallas; Honart Museum, Tehran, Iran; Museum of Contemporary Art, Denver; Museum of Contemporary Art, Los Angeles; National Portrait Gallery, London; The Olbricht Collection, Berlin; Project Space 176–The Zabludowicz Collection, London; Saatchi Collection, London; Samsung Museum, Seoul, Korea; Solomon R. Guggenheim Museum, New York.
Noble & Webster have created a remarkable group of anti-monuments in their seventeen-year career, mixing the strategies of modern sculpture and the attitude of punk to make art from anti-art. Their work derives much of its power from its fusion of opposites, form and anti-form, high culture and anti-culture, male and female, craft and rubbish, sex and violence.