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Tim Noble & Sue Webster's 'dick and slit' sculptures explore relationship dynamics & self-image via… https://t.co/5PrVXbWesN
2 days ago

Beautiful collaboration between artist Eduardo Sarabia and @deltoroshoes https://t.co/0SuMQ5AWsi https://t.co/USBAfRzC1r
3 days ago

Last Day at @LAArtShow – see some pictures of our booth here: https://t.co/3O5aB7WaW8 https://t.co/vHyvPbtooZ
1 weeks ago

Hard as Fuck: #HarlandMiller new release on show @LAArtShow. Our booth also features works by #JohnHoylandhttps://t.co/ck2StJLIfv
2 weeks ago

@RobSawyerUK Thank you. More pictures to come but you can see the work here: https://t.co/nfkmhzfVFb
2 weeks ago

.@LAArtShow opens to the public today – join us booth 312 to discover works by #DamienHirst #HarlandMiller &more!… https://t.co/j6xYvJw8X6
2 weeks ago

Works by Gavin Turk and Wolfe von Lenkiewicz will be on show at @GalleryGriffin from 12th Jan – 24th Feb 2017… https://t.co/eyicG3U514
2 weeks ago

CURRENT: Sarah Lucas, Keeping it Real, Whitechapel Gallery

June 22, 2010 by Ellie

10 June - 5 September 2010 [caption id="attachment_6070" align="alignnone" width="510" caption="Sarah Lucas, Bunny Gets Snookered #10, 1997 Tan tights, red stockings, chair, steel clamp, kapok and wire, 104 x 71 x 89 cm, ©Sarah Lucas. Courtesy Sadie Coles HQ, London."]Sarah Lucas, Bunny Gets Snookered #10, 1997 Tan tights, red stockings, chair, steel clamp, kapok and wire, 104 x 71 x 89 cm, ©Sarah Lucas. Courtesy Sadie Coles HQ, London.[/caption] Marcel Duchamp’s iconic Fountain, 1917/64, a common urinal displayed on a plinth, is the starting point for exploring the way artists have used materials to look at the relationship between art and reality. This first in a series of four displays drawn from the D. Daskalopoulos Collection, Greece, brings together works by both well-known and rarely seen artists who address questions of identity, desire and human vulnerability. Louise Bourgeois’ hanging sculpture Fillette (Sweeter Version), 1968-99, Sherrie Levine’s bronze reworking of Duchamp’s ready-made and Robert Gober’s double-sexed torso, Untitled, 1991, share a sense of the surreal. The artist is immediately present in the body prints of David Hammons, Jim Hodge’s transfer prints made with his own saliva and Despina Isaia’s delicate weave of her hair. Marina Abramović washes a skeleton in her meditation on the trauma of genocide and the amnesia of society. Other artists on show include John Bock, Sarah Lucas and Sue Williams. For more information, visit the gallery website.