Latest Tweets

Tom Ormond: Sunbeam, part of the series Eight Horizons, published by Other Criteria in 2014 https://t.co/EkUmPMSbgJ https://t.co/GA48QwX71H
21 hours ago

Damien Hirst's ‘The Souls’ – published by Paul Stolper & Other Criteria, 2010 https://t.co/ONmp3eU1bu https://t.co/92e1D6ZF6e
Yesterday

Join Other Criteria London @NPSGallery tonight from 6–8pm for the launch of our this new exhibition catalogue:… https://t.co/RULDASdYQA
2 weeks ago

Last Day at Market Art + Design in the Hamptons #DamienHirst https://t.co/u4MXQ0qUqh
2 weeks ago

Join us booth 411 at #MarketArtDesign to see new works by #DamienHirst & #HarlandMiller https://t.co/lZELnGKbbF https://t.co/zfQ5A5vjvR
2 weeks ago

Don't miss Other Criteria and @NPSGallery at @artcarbootfair tomorrow from 12–6pm in Vauxhall, London… https://t.co/Bl3fEsI81E
2 weeks ago

In the Hamptons or London this weekend? Other Criteria is both at #MarketArtDesign and @artcarbootfairhttps://t.co/FYwYS7PWRm
2 weeks ago

CURRENT: Sarah Lucas, Keeping it Real, Whitechapel Gallery

June 22, 2010 by Ellie

10 June - 5 September 2010 [caption id="attachment_6070" align="alignnone" width="510" caption="Sarah Lucas, Bunny Gets Snookered #10, 1997 Tan tights, red stockings, chair, steel clamp, kapok and wire, 104 x 71 x 89 cm, ©Sarah Lucas. Courtesy Sadie Coles HQ, London."]Sarah Lucas, Bunny Gets Snookered #10, 1997 Tan tights, red stockings, chair, steel clamp, kapok and wire, 104 x 71 x 89 cm, ©Sarah Lucas. Courtesy Sadie Coles HQ, London.[/caption] Marcel Duchamp’s iconic Fountain, 1917/64, a common urinal displayed on a plinth, is the starting point for exploring the way artists have used materials to look at the relationship between art and reality. This first in a series of four displays drawn from the D. Daskalopoulos Collection, Greece, brings together works by both well-known and rarely seen artists who address questions of identity, desire and human vulnerability. Louise Bourgeois’ hanging sculpture Fillette (Sweeter Version), 1968-99, Sherrie Levine’s bronze reworking of Duchamp’s ready-made and Robert Gober’s double-sexed torso, Untitled, 1991, share a sense of the surreal. The artist is immediately present in the body prints of David Hammons, Jim Hodge’s transfer prints made with his own saliva and Despina Isaia’s delicate weave of her hair. Marina Abramović washes a skeleton in her meditation on the trauma of genocide and the amnesia of society. Other artists on show include John Bock, Sarah Lucas and Sue Williams. For more information, visit the gallery website.