Latest Tweets

RT @FinancialTimes: What Damien Hirst did next https://t.co/uNL1yCuSEa
3 days ago

At @artcentralhk booth E06 until Saturday 25th March https://t.co/Tvc2BiSenB https://t.co/oGZJDKYRAM
4 days ago

NEW Damien Hirst's Limited Edition Print successfully launched at Art Central Hong Kong https://t.co/LhhwFnx2QN… https://t.co/9WtsDAaOvQ
6 days ago

Sneak pic from our booth E06 at @artcentralhk #ArtCentral2017 #HongKong https://t.co/pRK74gCZOb
1 weeks ago

Gavin Turk @NPSGallery: End of Show Flash Sale Starting Now! Until the exhibition ends, Sunday 26th March, 6pm GMT… https://t.co/mkR5TDLGnh
2 weeks ago

Rachel Howard both at the Italian Cultural Institute @iiclondra & the @jerwoodgallery from 15 March 2017… https://t.co/jOJpOeP4N4
2 weeks ago

Looking forward to @artcentralhk! 20th–25th March #DamienHirst #GaryHume #MustafaHulusi https://t.co/ZTG2Egn1YR https://t.co/ED4EgpLzmc
3 weeks ago

'Thin Slivers of Hope' at Ground Floor Left

April 6, 2011 by Kay

‘One can literally ‘step’ through and across the surface of one of Paul Manners new paintings. Stepping with the eye is an alarming, contradictory and pleasurable experience. It involves working with and against the painting’s surface and includes generosity and seduction, and equally a type of dissent and failure. Turbulence occurs where the eye is asked to navigate the surface of these abstract paintings through peaks and troughs, through materiality and illusionism. The new work is assembled and constructed as well as conventionally painted.’ Alexis Harding, March 2011 Extract from “Notes from Paul Manners studio”

For more information on this exhibition, visit www.groundfloorleft.co.uk