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In Vienna this weekend? Join us at the new art fair at the @Leopold_Museum #ArtVienna https://t.co/kDVyC3HBOh
23 hours ago

At #ArtVienna booth 8B.2 until Sunday 26 February. #DamienHirst #DonBrown #HarlandMiller #RachelHowardhttps://t.co/KNu96mzmhP
Yesterday

Other Criteria will present works by #MustafaHulusi #DamienHirst & more at #ArtOnPaper2017 @artMRKT from March 2–5… https://t.co/KrqNs2zHP7
3 days ago

Detail of Damien Hirst's limited edition silkscreen print with glaze plus glitter – Psalm: Expectans expectavi… https://t.co/qoL8oBxfd3
2 weeks ago

Pleased to participate in the 1st edition of #ArtVienna from 23-26 Feb at the @Leopold_Museum @MacHoffmannhttps://t.co/0hEK1mM5yw
2 weeks ago

Other Criteria London is open until 10pm tonight alongside @NPSGallery and @Ph2restaurant #ValentinesDay https://t.co/CDdG2vhORQ
2 weeks ago

Last day at @ZonaMaco #DamienHirst #EduardoSarabia #PaolaPetrobelli https://t.co/URzK7LUU3I https://t.co/HcXhQawrOu
2 weeks ago

Rothko in Britain

September 29, 2011 by Georgia

Whitechapel Gallery
9 September - 26 February 2011
Admission free

In 1961 the Whitechapel Gallery held the first solo show of American artist Mark Rothko in Britain. This landmark exhibition is brought vividly to life through the Gallery's archives of original photographs, letters from the artist and new recordings of visitor's memories presented alongside Rothko's painting Light Red Over Black (1957).

Mark Rothko (1903–1970) was part of a generation of American painters whose style became known as Abstract Expressionism. From the 1950s he used muted colours to make luminous rectangles seemingly hover on the surface of the canvas. While realising his Whitechapel Gallery exhibition he outlined precise instructions of how he wanted his work to be displayed, such as the lighting levels and hanging height of paintings. All this created an immersive experience for the viewer. Reviewing the show in The New Statesman art critic David Sylvester wrote, ‘Faced with Rothko’s paintings at Whitechapel, one feels oneself unbearably hemmed-in by forces buffeting one’s every nerve’

The display sheds new light on Rothko’s connection with Britain, highlighting the strong relationships he formed during his trip in the summer of 1959 and an era of dialogue between British and American artists.