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Last day at #ArtVienna at the @Leopold_Museum #ArtFair https://t.co/xvWudDpTiJ https://t.co/JR5lWMDHLC
10 hours ago

In Vienna this weekend? Join us at the new art fair at the @Leopold_Museum #ArtVienna https://t.co/kDVyC3HBOh
2 days ago

At #ArtVienna booth 8B.2 until Sunday 26 February. #DamienHirst #DonBrown #HarlandMiller #RachelHowardhttps://t.co/KNu96mzmhP
3 days ago

Other Criteria will present works by #MustafaHulusi #DamienHirst & more at #ArtOnPaper2017 @artMRKT from March 2–5… https://t.co/KrqNs2zHP7
4 days ago

Detail of Damien Hirst's limited edition silkscreen print with glaze plus glitter – Psalm: Expectans expectavi… https://t.co/qoL8oBxfd3
2 weeks ago

Pleased to participate in the 1st edition of #ArtVienna from 23-26 Feb at the @Leopold_Museum @MacHoffmannhttps://t.co/0hEK1mM5yw
2 weeks ago

Other Criteria London is open until 10pm tonight alongside @NPSGallery and @Ph2restaurant #ValentinesDay https://t.co/CDdG2vhORQ
2 weeks ago

An American in Paris, Gagosian Gallery

February 12, 2014 by Kay

Until 3rd May 2014

Gagosian Gallery, Paris

AmericaninParis

"An American in Paris: Works from a Private Collection" Photo by Zarko Vijatovic

From Andy Warhol’s Campbell’s Black Bean Soup of 1962 to Jeff Koons’ Hole III of 2008, An American in Paris presents a panorama of the avant-garde of the past half century. This selection from a bold and discerning American collection highlights pivotal, often large-scale works from contemporary artists who have persistently engaged unexpected subject matter through uncommon media. Richard Prince’s The Housewife and the Grocer (1988)–pink text on a matte gold background–is an archetypal work from his deadpan Joke series; the crusted surface of a black canvas by Damien Hirst is, upon closer scrutiny, comprised by thousands of dead flies. Read more about the exhibition on the Gagosian Gallery website.