Contemporary Art

Tim Noble & Sue Webster — Polymorphous Perverse - Book

330 x 260 mm (13 x 10 inches)
28 colour illustrations
Texts by Linda Nochlin and James Putnam
Published by Other Criteria
ISBN 978-1-904212-24-9

RRP £40

For signed copies of this publication, click here.

According to Sigmund Freud, young children are, by nature, "polymorphously perverse" and while their infantile sexuality is swiftly suppressed it is retained in their unconscious adult minds. Tim Noble and Sue Webster’s new publication documents in beautiful detail their critically acclaimed site-specific project at the Freud Museum, which was nominated for the prestigious South Bank Prize in 2007. This includes one of their characteristic self-portrait shadow sculptures ‘Black Narcissus’, a plethora of silicone rubber casts of Webster’s fingers and Noble’s member in various states of arousal which was installed in Freud’s study. There is also detailed documentation and analysis of their complex kinetic sculpture ‘Scarlett’ that was appropriately sited in the bedroom of Freud’s daughter, Anna, the founder of child psychology. Created from modified children’s toys and machine parts, ‘Scarlett’ utilizes the actual workbench from the artists’ studio, which they have used extensively over the past decade. Triggered by sensors the individual elements of this hybrid machine sculpture become animated to produce a dream-like cornucopia of repressed sexual and sadomasochistic fantasies and transgressions. The publication also provides a fascinating insight into Freud’s theories and how they relate to art practice with critical essays from the distinguished American art historian Linda Nochlin and James Putnam who curated the original exhibition.

Tim Noble & Sue Webster

Tim Noble and Sue Webster are known for transforming garbage into art. They sculpt piles of street rubbish, studio debris, and taxidermy animals into astonishing representations of life with “real” shadows of the artists themselves hovering over their accumulations of discarded objects. These abstract forms mysteriously reverse the abstraction into figuration.

Since their first solo show in London in 1996, British Rubbish, Noble & Webster have had many solo exhibitions including The Freud Museum, London, 2006; CAC Malaga, 2005; Museum of Fine Arts, Boston, 2004; P.S.1/MoMA, New York, 2003; Milton Keynes Gallery, UK, 2002 and Deste Foundation, Athens, 2000. Their first public art installation Electric Fountain, was unveiled at Rockefeller Plaza, New York, February 2008. Their work is in the permanent collection of the Arken Museum of Modern Art, Copenhagen; Artis-François Pinault, France; Chaney Family Collection, Houston; Dakis Joannou Collection, Athens; The Goss-Michael Collection, Dallas; Honart Museum, Tehran, Iran; Museum of Contemporary Art, Denver; Project Space 176–The Zabludowicz Collection, London; Saatchi Collection, London; Samsung Museum, Seoul, Korea and Solomon R. Guggenheim Museum, New York.

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