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RT @FinancialTimes: What Damien Hirst did next https://t.co/uNL1yCuSEa
3 days ago

At @artcentralhk booth E06 until Saturday 25th March https://t.co/Tvc2BiSenB https://t.co/oGZJDKYRAM
4 days ago

NEW Damien Hirst's Limited Edition Print successfully launched at Art Central Hong Kong https://t.co/LhhwFnx2QN… https://t.co/9WtsDAaOvQ
6 days ago

Sneak pic from our booth E06 at @artcentralhk #ArtCentral2017 #HongKong https://t.co/pRK74gCZOb
1 weeks ago

Gavin Turk @NPSGallery: End of Show Flash Sale Starting Now! Until the exhibition ends, Sunday 26th March, 6pm GMT… https://t.co/mkR5TDLGnh
2 weeks ago

Rachel Howard both at the Italian Cultural Institute @iiclondra & the @jerwoodgallery from 15 March 2017… https://t.co/jOJpOeP4N4
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Looking forward to @artcentralhk! 20th–25th March #DamienHirst #GaryHume #MustafaHulusi https://t.co/ZTG2Egn1YR https://t.co/ED4EgpLzmc
3 weeks ago

CURRENT EXHIBITION: Gavin & Turk

February 27, 2012 by Kay

Ben Brown Fine Arts Open until 20th April 2012

Like all artists, Gavin Turk's name is his brand and in the schizophrenic title for this show, he turns it into a family brand.   Throughout 25 years of artwork, Turk has questioned authorship, identity and the handmade.  This new exhibition is no exception, but here, he chooses to pay homage to Alighiero Boetti, an Italian conceptual artist prominent in the sixties and seventies, who is the subject of a Tate Modern retrospective, running 28 February - 27 May 2012.

Boetti was fascinated by symbols and created embroideries of the world map, with each country made from its own flag.  He saw his role as orchestrator, rather than executer of a work, with his original Mappas based on a schema by friend and collaborator Rinaldo Rossi and embroidered by a team of craftswomen in Kabul, Aghanistan.

Like Boetti, Turk is collaborating with a production team to create his latest embroideries.  The designs will be worked up by members of Fine Cell Work, a charity and social enterprise that teaches needlework to prison inmates, in order to support the rehabilitation process.  "I think one of the interesting things about tapestry is how slowly the picture comes out of the picture frame," says Turk.  "It's so intense. You have to go close and further away and close and further away; it's like the image slowly unweaving itself."