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Other Criteria is pleased to participate in Art Seattle from 3-6 August 2017, Booth E19 #DamienHirst #HarlandMillerhttps://t.co/GRn2fPNGaF
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Damien Hirst's ‘Kaleidoscope’ paintings reference the spiritual symbolism of the butterfly. Image: Beneficence… https://t.co/G1BSpC3jgM
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Damien Hirst's Psalm: Judica, Domino was published by Other Criteria in 2015 https://t.co/xLyO5GNIKc https://t.co/zxepzgz4pR
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Tom Ormond: Sunbeam, part of the series Eight Horizons, published by Other Criteria in 2014 https://t.co/EkUmPMSbgJ https://t.co/GA48QwX71H
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Damien Hirst's ‘The Souls’ – published by Paul Stolper & Other Criteria, 2010 https://t.co/ONmp3eU1bu https://t.co/92e1D6ZF6e
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Join Other Criteria London @NPSGallery tonight from 6–8pm for the launch of our this new exhibition catalogue:… https://t.co/RULDASdYQA
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Last Day at Market Art + Design in the Hamptons #DamienHirst https://t.co/u4MXQ0qUqh
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Gravity and Disgrace - Rachel Howard, Jane Simpson and Amelia Newton Whitelaw

July 3, 2012 by Kay

11 July 2012 – 25 August 2012

Blain Southern, London Dering Street

Rachel Howard - Eva 2005 Household gloss on canvas 66 x 48 inches

The directors of Blain|Southern are delighted to present Gravity and Disgrace, a group show curated by Rachel Howard which brings together the artist’s own work with that of Jane Simpson and Amelia Newton Whitelaw. Inspired by the Hayward Gallery’s 1993 exhibition Gravity & Grace: The Changing Condition of Sculpture, 1965 – 1975, the exhibition considers how select artists today continue to explore unconventional materiality through painting and sculpture. Gravity and Grace celebrated the transitional nature of sculpture during the late 1960s and early 1970s by presenting some of the most important and provocative works made during these years. Illustrating the revolutionary influence of Arte Povera upon sculptural practice in America and Europe at this time, the exhibition highlighted a rejection of sophisticated methods of construction and traditional materials. Using this specific show as a springboard, the curatorial parameters of Gravity and Disgrace focus on artworks in which materiality is key, as is the perception of the viewer. This exhibition also encapsulates the idea of opposition, which is present in various configurations in all of the featured works.

Jane Simpson - A Wolf in Sheep's Clothing 2008 Brass, electrical wiring, lacquer, refrigeration unit, resin, Singer sewing maching, sewing paraphernalia, wood 110 x 170 x 173 cm Photo: Russell Calabrese

For more information, visit the Blain Southern website.