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Other Criteria is pleased to participate in Art Seattle from 3-6 August 2017, Booth E19 #DamienHirst #HarlandMillerhttps://t.co/GRn2fPNGaF
3 weeks ago

Damien Hirst's ‘Kaleidoscope’ paintings reference the spiritual symbolism of the butterfly. Image: Beneficence… https://t.co/G1BSpC3jgM
4 weeks ago

Damien Hirst's Psalm: Judica, Domino was published by Other Criteria in 2015 https://t.co/xLyO5GNIKc https://t.co/zxepzgz4pR
4 weeks ago

Tom Ormond: Sunbeam, part of the series Eight Horizons, published by Other Criteria in 2014 https://t.co/EkUmPMSbgJ https://t.co/GA48QwX71H
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Damien Hirst's ‘The Souls’ – published by Paul Stolper & Other Criteria, 2010 https://t.co/ONmp3eU1bu https://t.co/92e1D6ZF6e
5 weeks ago

Join Other Criteria London @NPSGallery tonight from 6–8pm for the launch of our this new exhibition catalogue:… https://t.co/RULDASdYQA
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Last Day at Market Art + Design in the Hamptons #DamienHirst https://t.co/u4MXQ0qUqh
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Kate MccGwire's Lure at All Visual Arts

February 7, 2013 by Kay

All Visual Arts are proud to present a major solo exhibition from sculptor Kate MccGwire. The title Lure is a dual reference to the ring of feathers used by a falconer to call and command their birds, and to the siren-like call of the work itself. It evokes the combination of our fascination with the iridescent, exotic specimens on display and the desire to look closer in spite of the disquieting atmosphere they create.

MccGwire’s work uses the language of nature’s forms to construct impossible creatures, pitting the beauty of a bird in flight against our instinctive revulsion to these unnatural forms in close proximity. Their feathers are both alluring and abject, and appeal to our subjective experience as we confront the breathless, convoluted structures. Her sculptures exist in the periphery between the living and the dead, challenging our perceptions of the authentic and the imaginary.

MccGwire’s working process is a continuous cycle of collection and construction that manifests in the objects she creates. We take pleasure in the painstaking process of their development, apparent in the layers of carefully aligned feathers and in each swirl of oilslick plumage. This creative process is central to MccGwire’s work, allowing the organic materials to suggest their own form and following their patterns to evoke movement and musculature in the sculptures themselves. Taking natural materials and reimagining their forms, MccGwire’s works take on an anthropomorphic quality; a brooding, predatory physicality that at once attracts and repels the viewer.

For more information, visit the All Visual Arts website.