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At #ArtVienna booth 8B.2 until Sunday 26 February. #DamienHirst #DonBrown #HarlandMiller #RachelHowardhttps://t.co/KNu96mzmhP
15 hours ago

Other Criteria will present works by #MustafaHulusi #DamienHirst & more at #ArtOnPaper2017 @artMRKT from March 2–5… https://t.co/KrqNs2zHP7
Yesterday

Detail of Damien Hirst's limited edition silkscreen print with glaze plus glitter – Psalm: Expectans expectavi… https://t.co/qoL8oBxfd3
1 weeks ago

Pleased to participate in the 1st edition of #ArtVienna from 23-26 Feb at the @Leopold_Museum @MacHoffmannhttps://t.co/0hEK1mM5yw
2 weeks ago

Other Criteria London is open until 10pm tonight alongside @NPSGallery and @Ph2restaurant #ValentinesDay https://t.co/CDdG2vhORQ
2 weeks ago

Last day at @ZonaMaco #DamienHirst #EduardoSarabia #PaolaPetrobelli https://t.co/URzK7LUU3I https://t.co/HcXhQawrOu
2 weeks ago

Join us at @ZonaMaco this weekend to see works by Eduardo Sarabia, Damien Hirst, Paola Petrobelli – booth ZMD1 unti… https://t.co/4tgDXqCqGy
2 weeks ago

Kate MccGwire's Lure at All Visual Arts

February 7, 2013 by Kay

All Visual Arts are proud to present a major solo exhibition from sculptor Kate MccGwire. The title Lure is a dual reference to the ring of feathers used by a falconer to call and command their birds, and to the siren-like call of the work itself. It evokes the combination of our fascination with the iridescent, exotic specimens on display and the desire to look closer in spite of the disquieting atmosphere they create.

MccGwire’s work uses the language of nature’s forms to construct impossible creatures, pitting the beauty of a bird in flight against our instinctive revulsion to these unnatural forms in close proximity. Their feathers are both alluring and abject, and appeal to our subjective experience as we confront the breathless, convoluted structures. Her sculptures exist in the periphery between the living and the dead, challenging our perceptions of the authentic and the imaginary.

MccGwire’s working process is a continuous cycle of collection and construction that manifests in the objects she creates. We take pleasure in the painstaking process of their development, apparent in the layers of carefully aligned feathers and in each swirl of oilslick plumage. This creative process is central to MccGwire’s work, allowing the organic materials to suggest their own form and following their patterns to evoke movement and musculature in the sculptures themselves. Taking natural materials and reimagining their forms, MccGwire’s works take on an anthropomorphic quality; a brooding, predatory physicality that at once attracts and repels the viewer.

For more information, visit the All Visual Arts website.