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Beautiful collaboration between artist Eduardo Sarabia and @deltoroshoes https://t.co/0SuMQ5AWsi https://t.co/USBAfRzC1r
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Last Day at @LAArtShow – see some pictures of our booth here: https://t.co/3O5aB7WaW8 https://t.co/vHyvPbtooZ
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Hard as Fuck: #HarlandMiller new release on show @LAArtShow. Our booth also features works by #JohnHoylandhttps://t.co/ck2StJLIfv
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@RobSawyerUK Thank you. More pictures to come but you can see the work here: https://t.co/nfkmhzfVFb
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.@LAArtShow opens to the public today – join us booth 312 to discover works by #DamienHirst #HarlandMiller &more!… https://t.co/j6xYvJw8X6
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Works by Gavin Turk and Wolfe von Lenkiewicz will be on show at @GalleryGriffin from 12th Jan – 24th Feb 2017… https://t.co/eyicG3U514
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RT @ArtAttackApp: 🦋 "Eternal Hope - Rose 2016" 🦋 available @other_criteria ~~~ @hirst_official ~~~ @LALIQUE 🦋 https://t.co/gVe4RcsrKh
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An American in Paris, Gagosian Gallery

February 12, 2014 by Kay

Until 3rd May 2014

Gagosian Gallery, Paris

AmericaninParis

"An American in Paris: Works from a Private Collection" Photo by Zarko Vijatovic

From Andy Warhol’s Campbell’s Black Bean Soup of 1962 to Jeff Koons’ Hole III of 2008, An American in Paris presents a panorama of the avant-garde of the past half century. This selection from a bold and discerning American collection highlights pivotal, often large-scale works from contemporary artists who have persistently engaged unexpected subject matter through uncommon media. Richard Prince’s The Housewife and the Grocer (1988)–pink text on a matte gold background–is an archetypal work from his deadpan Joke series; the crusted surface of a black canvas by Damien Hirst is, upon closer scrutiny, comprised by thousands of dead flies. Read more about the exhibition on the Gagosian Gallery website.