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RT @FinancialTimes: What Damien Hirst did next https://t.co/uNL1yCuSEa
10 hours ago

At @artcentralhk booth E06 until Saturday 25th March https://t.co/Tvc2BiSenB https://t.co/oGZJDKYRAM
Yesterday

NEW Damien Hirst's Limited Edition Print successfully launched at Art Central Hong Kong https://t.co/LhhwFnx2QN… https://t.co/9WtsDAaOvQ
3 days ago

Sneak pic from our booth E06 at @artcentralhk #ArtCentral2017 #HongKong https://t.co/pRK74gCZOb
4 days ago

Gavin Turk @NPSGallery: End of Show Flash Sale Starting Now! Until the exhibition ends, Sunday 26th March, 6pm GMT… https://t.co/mkR5TDLGnh
2 weeks ago

Rachel Howard both at the Italian Cultural Institute @iiclondra & the @jerwoodgallery from 15 March 2017… https://t.co/jOJpOeP4N4
2 weeks ago

Looking forward to @artcentralhk! 20th–25th March #DamienHirst #GaryHume #MustafaHulusi https://t.co/ZTG2Egn1YR https://t.co/ED4EgpLzmc
3 weeks ago

Peregrine Honig - Unicorn

October 22, 2014 by Ishah

Unicorns, flags, sexuality and identity are key themes within Peregrine Honig's latest exhibition at HAW/CONTEMPORARY, Kansas City from the 24th of October until the 6th of December 2014. Honig’s solo show ‘Unicorn’ consists of large-scale oil paintings that act as props for self-composed portraits allowing further scope for a digitalised representation of the self. Visitors to the show are given the opportunity to engage with the artworks digitally by editing and uploading an image of themselves juxtaposed with the artworks, unifying themselves collectively with a hashtag. Every sitter becomes contextualised as a saint, royalty or deity.

During a recent trip to Italy, Honig was struck by how often she saw people photographing themselves with works of art before they really looked at the work. Her new paintings respond to this phenomenon. Occupied or empty the pieces offer a curated private space in a public gallery setting, each sitter has the power to produce, edit, and digitally publish their own image. With the assistance of a collective hashtag, visitors take part in creating a contemporary, constantly evolving, book of hours. Similarly, these donor selfies reference the rich history of patrons commissioning artists to paint them into elaborate and decadent sets

Honigs work focuses on ideas surrounding sexuality, social anxieties and fashion consumerism along with the ethical attachments these may bring.