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Tim Noble & Sue Webster's 'dick and slit' sculptures explore relationship dynamics & self-image via… https://t.co/5PrVXbWesN
3 days ago

Beautiful collaboration between artist Eduardo Sarabia and @deltoroshoes https://t.co/0SuMQ5AWsi https://t.co/USBAfRzC1r
4 days ago

Last Day at @LAArtShow – see some pictures of our booth here: https://t.co/3O5aB7WaW8 https://t.co/vHyvPbtooZ
2 weeks ago

Hard as Fuck: #HarlandMiller new release on show @LAArtShow. Our booth also features works by #JohnHoylandhttps://t.co/ck2StJLIfv
2 weeks ago

@RobSawyerUK Thank you. More pictures to come but you can see the work here: https://t.co/nfkmhzfVFb
2 weeks ago

.@LAArtShow opens to the public today – join us booth 312 to discover works by #DamienHirst #HarlandMiller &more!… https://t.co/j6xYvJw8X6
2 weeks ago

Works by Gavin Turk and Wolfe von Lenkiewicz will be on show at @GalleryGriffin from 12th Jan – 24th Feb 2017… https://t.co/eyicG3U514
2 weeks ago

Peregrine Honig - Unicorn

October 22, 2014 by Ishah

Unicorns, flags, sexuality and identity are key themes within Peregrine Honig's latest exhibition at HAW/CONTEMPORARY, Kansas City from the 24th of October until the 6th of December 2014. Honig’s solo show ‘Unicorn’ consists of large-scale oil paintings that act as props for self-composed portraits allowing further scope for a digitalised representation of the self. Visitors to the show are given the opportunity to engage with the artworks digitally by editing and uploading an image of themselves juxtaposed with the artworks, unifying themselves collectively with a hashtag. Every sitter becomes contextualised as a saint, royalty or deity.

During a recent trip to Italy, Honig was struck by how often she saw people photographing themselves with works of art before they really looked at the work. Her new paintings respond to this phenomenon. Occupied or empty the pieces offer a curated private space in a public gallery setting, each sitter has the power to produce, edit, and digitally publish their own image. With the assistance of a collective hashtag, visitors take part in creating a contemporary, constantly evolving, book of hours. Similarly, these donor selfies reference the rich history of patrons commissioning artists to paint them into elaborate and decadent sets

Honigs work focuses on ideas surrounding sexuality, social anxieties and fashion consumerism along with the ethical attachments these may bring.