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Other Criteria will be at Market Art + Design in the Hamptons from 6th–9th July #DamienHirst #HarlandMillerhttps://t.co/lICKCwlNvw
Yesterday

Artist Gonzalo Lebrija is currently part of a group exhibition at @museomaz in Mexico https://t.co/c1fpm3lRxQ https://t.co/GigMtMzMCG
2 weeks ago

Eat the Rich, by Damien Hirst in @Design_Week https://t.co/2qLAZU4zTw
2 weeks ago

#Hirst NEW series Eat the Rich depicts pharmaceutical packaging, replacing names by expressions of violence or forc… https://t.co/UnrCbLuivS
2 weeks ago

NEW print series by Damien Hirst: Eat the Rich, now available here: https://t.co/UPeYaXMLkZ https://t.co/sc2Rh5PKk0
2 weeks ago

Rachel Howard at Galería Pelaires until 13 September 2017 https://t.co/cwiT5D1Hgq https://t.co/upwjaXKtSc
3 weeks ago

NEW Good and Bad 100% silk pyjamas by Ashley Bickerton now available https://t.co/voloY9wtLW https://t.co/cMAyTXzJHK
3 weeks ago

CURRENT: Sarah Lucas, Keeping it Real, Whitechapel Gallery

June 22, 2010 by Ellie

10 June - 5 September 2010 [caption id="attachment_6070" align="alignnone" width="510" caption="Sarah Lucas, Bunny Gets Snookered #10, 1997 Tan tights, red stockings, chair, steel clamp, kapok and wire, 104 x 71 x 89 cm, ©Sarah Lucas. Courtesy Sadie Coles HQ, London."]Sarah Lucas, Bunny Gets Snookered #10, 1997 Tan tights, red stockings, chair, steel clamp, kapok and wire, 104 x 71 x 89 cm, ©Sarah Lucas. Courtesy Sadie Coles HQ, London.[/caption] Marcel Duchamp’s iconic Fountain, 1917/64, a common urinal displayed on a plinth, is the starting point for exploring the way artists have used materials to look at the relationship between art and reality. This first in a series of four displays drawn from the D. Daskalopoulos Collection, Greece, brings together works by both well-known and rarely seen artists who address questions of identity, desire and human vulnerability. Louise Bourgeois’ hanging sculpture Fillette (Sweeter Version), 1968-99, Sherrie Levine’s bronze reworking of Duchamp’s ready-made and Robert Gober’s double-sexed torso, Untitled, 1991, share a sense of the surreal. The artist is immediately present in the body prints of David Hammons, Jim Hodge’s transfer prints made with his own saliva and Despina Isaia’s delicate weave of her hair. Marina Abramović washes a skeleton in her meditation on the trauma of genocide and the amnesia of society. Other artists on show include John Bock, Sarah Lucas and Sue Williams. For more information, visit the gallery website.