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Other Criteria will be at @sp_arte 2017 from 5–9th April, presenting limited edition works by Damien Hirst… https://t.co/1tpowYuSTA
Yesterday

RT @FinancialTimes: What Damien Hirst did next https://t.co/uNL1yCuSEa
6 days ago

At @artcentralhk booth E06 until Saturday 25th March https://t.co/Tvc2BiSenB https://t.co/oGZJDKYRAM
1 weeks ago

NEW Damien Hirst's Limited Edition Print successfully launched at Art Central Hong Kong https://t.co/LhhwFnx2QN… https://t.co/9WtsDAaOvQ
2 weeks ago

Sneak pic from our booth E06 at @artcentralhk #ArtCentral2017 #HongKong https://t.co/pRK74gCZOb
2 weeks ago

Gavin Turk @NPSGallery: End of Show Flash Sale Starting Now! Until the exhibition ends, Sunday 26th March, 6pm GMT… https://t.co/mkR5TDLGnh
2 weeks ago

Rachel Howard both at the Italian Cultural Institute @iiclondra & the @jerwoodgallery from 15 March 2017… https://t.co/jOJpOeP4N4
3 weeks ago

Rothko in Britain

September 29, 2011 by Georgia

Whitechapel Gallery
9 September - 26 February 2011
Admission free

In 1961 the Whitechapel Gallery held the first solo show of American artist Mark Rothko in Britain. This landmark exhibition is brought vividly to life through the Gallery's archives of original photographs, letters from the artist and new recordings of visitor's memories presented alongside Rothko's painting Light Red Over Black (1957).

Mark Rothko (1903–1970) was part of a generation of American painters whose style became known as Abstract Expressionism. From the 1950s he used muted colours to make luminous rectangles seemingly hover on the surface of the canvas. While realising his Whitechapel Gallery exhibition he outlined precise instructions of how he wanted his work to be displayed, such as the lighting levels and hanging height of paintings. All this created an immersive experience for the viewer. Reviewing the show in The New Statesman art critic David Sylvester wrote, ‘Faced with Rothko’s paintings at Whitechapel, one feels oneself unbearably hemmed-in by forces buffeting one’s every nerve’

The display sheds new light on Rothko’s connection with Britain, highlighting the strong relationships he formed during his trip in the summer of 1959 and an era of dialogue between British and American artists.