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Artist Gonzalo Lebrija is currently part of a group exhibition at @museomaz in Mexico https://t.co/c1fpm3lRxQ https://t.co/GigMtMzMCG
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Eat the Rich, by Damien Hirst in @Design_Week https://t.co/2qLAZU4zTw
2 days ago

#Hirst NEW series Eat the Rich depicts pharmaceutical packaging, replacing names by expressions of violence or forc… https://t.co/UnrCbLuivS
5 days ago

NEW print series by Damien Hirst: Eat the Rich, now available here: https://t.co/UPeYaXMLkZ https://t.co/sc2Rh5PKk0
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Rachel Howard at Galería Pelaires until 13 September 2017 https://t.co/cwiT5D1Hgq https://t.co/upwjaXKtSc
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NEW Good and Bad 100% silk pyjamas by Ashley Bickerton now available https://t.co/voloY9wtLW https://t.co/cMAyTXzJHK
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Mat Collishaw: Thresholds will open at London’s @SomersetHouse on 18 May to coincide with @PhotoLondonFairhttps://t.co/LFHAn1BZIL
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Kate MccGwire's Lure at All Visual Arts

February 7, 2013 by Kay

All Visual Arts are proud to present a major solo exhibition from sculptor Kate MccGwire. The title Lure is a dual reference to the ring of feathers used by a falconer to call and command their birds, and to the siren-like call of the work itself. It evokes the combination of our fascination with the iridescent, exotic specimens on display and the desire to look closer in spite of the disquieting atmosphere they create.

MccGwire’s work uses the language of nature’s forms to construct impossible creatures, pitting the beauty of a bird in flight against our instinctive revulsion to these unnatural forms in close proximity. Their feathers are both alluring and abject, and appeal to our subjective experience as we confront the breathless, convoluted structures. Her sculptures exist in the periphery between the living and the dead, challenging our perceptions of the authentic and the imaginary.

MccGwire’s working process is a continuous cycle of collection and construction that manifests in the objects she creates. We take pleasure in the painstaking process of their development, apparent in the layers of carefully aligned feathers and in each swirl of oilslick plumage. This creative process is central to MccGwire’s work, allowing the organic materials to suggest their own form and following their patterns to evoke movement and musculature in the sculptures themselves. Taking natural materials and reimagining their forms, MccGwire’s works take on an anthropomorphic quality; a brooding, predatory physicality that at once attracts and repels the viewer.

For more information, visit the All Visual Arts website.