Latest Tweets

At Art Market San Francisco until Sunday 30th April https://t.co/S6AdsnqDva https://t.co/bYMZQmaKpL
Yesterday

Fiona Banner: Runway (AW 17) at @De_Pont Museum is the artist's first major presentation in the Netherlands… https://t.co/RIZb3wxtbY
2 days ago

Behind the scenes: Mat Collishaw @BlainSouthern https://t.co/YEJlbAkse2 via @TheofficialLL https://t.co/qB14F38qrM
4 days ago

Other Criteria present available works by Ashley Bickerton to accompany @NPSGallery’s new exhibition… https://t.co/iPKsJqd3kd
4 days ago

Ashley Bickerton comes full circle with first UK retrospective at Damien Hirst’s gallery via @TheArtNewspaperhttps://t.co/tRke9qC3os
2 weeks ago

Other Criteria will be at #ArtMarketSanFrancisco2017 @artMRKT from April 27–30 #DamienHirst #HarlandMiller #Sarabiahttps://t.co/yKMZENJKUq
2 weeks ago

NEW titles to accompany Treasures from the Wreck of the Unbelievable, Damien Hirst’s most ambitious project to date… https://t.co/1zDpnHAPuw
3 weeks ago

Tracey Emin X Harland Miller

December 17, 2013 by Emma

Tracey Emin and Harland Miller, two names synonymous with London’s contemporary art scene, come together in 'Dedication', the latest episode of the series in conjunction with EDITION Hotels, shot by their old friend, the long-time documentarian Johnnie Shand Kydd.

Rather than a collaboration, I see it more as helping each other out,” says Emin. “When I was a younger artist, we all used to do that.” Emin rose to international fame in the late 1990s as one of a new wave of British conceptual artists championed by collector Charles Saatchi, and featured in his seminal exhibition of 1997 Sensation. While Emin and Miller muse on the focused and frequently isolated world that artists inhabit in this video, they also discuss their occasional collaborations with other artists, including each other.

Miller has published several novels and become known for his large canvasses depicting satirical, fictional Penguin covers, and in 2008 organized an exhibition, You Dig the Tunnel, I’ll Hide the Soil, at London’s White Cube Gallery, where he asked artists as well as Emin to make a work as a response to a particular piece of writing by Edgar Allan Poe. Emin obliterated Miller’s own contribution to their joint work by painting over it, but Miller remained unfazed. “That’s a positive part of collaboration,” says Miller. “You have to take it on the chin.”