Latest Tweets

Detail of Damien Hirst's limited edition silkscreen print with glaze plus glitter – Psalm: Expectans expectavi… https://t.co/qoL8oBxfd3
5 days ago

Pleased to participate in the 1st edition of #ArtVienna from 23-26 Feb at the @Leopold_Museum @MacHoffmannhttps://t.co/0hEK1mM5yw
6 days ago

Other Criteria London is open until 10pm tonight alongside @NPSGallery and @Ph2restaurant #ValentinesDay https://t.co/CDdG2vhORQ
1 weeks ago

Last day at @ZonaMaco #DamienHirst #EduardoSarabia #PaolaPetrobelli https://t.co/URzK7LUU3I https://t.co/HcXhQawrOu
2 weeks ago

Join us at @ZonaMaco this weekend to see works by Eduardo Sarabia, Damien Hirst, Paola Petrobelli – booth ZMD1 unti… https://t.co/4tgDXqCqGy
2 weeks ago

Tim Noble and Sue Webster get the right end of the stick in their latest show https://t.co/xdqqdLFabq via… https://t.co/U4yMpCBxiH
2 weeks ago

Sneak pic from our booth ZMD12 @ZonaMaco #EduardoSarabia #DamienHirst #PaolaPetrobelli https://t.co/6ZVB2mJQiY
2 weeks ago

Phillip Allen at The Approach

September 8, 2014 by Jess

  • Tonic for Choice
  • 6th September – 5th October 2014

Tonic for Choice, is an exhibition of large new abstract paintings by Phillip Allen at The Approach. All equal in size and painted with oil on board, this newest body of work ploughs familiar painterly concerns present throughout earlier works, however, a revived energy and growing maturity has helped yield a new aesthetic crop. Gone is the reliable formula of thick impasto boarders and deep, illusionary spaces often inhabited by Allen’s painterly sculptural forms. Those devices have been replaced in favour of complex arrangements of shape and colour and a labyrinthine layering of marks, drips and scrapings evoking shifting surfaces and planes. Floating objects of varying stages of completion morph fluidly in and out of focus. Not afraid to excite viewers with visual decoration,Tonic for Choice is Allen’s strongest presentation to date of work that sets out, through trial and error, to be pertinent abstract painting for paintings’ sake.

Click here for more information.