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Other Criteria is pleased to participate in Art Seattle from 3-6 August 2017, Booth E19 #DamienHirst #HarlandMillerhttps://t.co/GRn2fPNGaF
2 days ago

Damien Hirst's ‘Kaleidoscope’ paintings reference the spiritual symbolism of the butterfly. Image: Beneficence… https://t.co/G1BSpC3jgM
6 days ago

Damien Hirst's Psalm: Judica, Domino was published by Other Criteria in 2015 https://t.co/xLyO5GNIKc https://t.co/zxepzgz4pR
1 weeks ago

Tom Ormond: Sunbeam, part of the series Eight Horizons, published by Other Criteria in 2014 https://t.co/EkUmPMSbgJ https://t.co/GA48QwX71H
2 weeks ago

Damien Hirst's ‘The Souls’ – published by Paul Stolper & Other Criteria, 2010 https://t.co/ONmp3eU1bu https://t.co/92e1D6ZF6e
2 weeks ago

Join Other Criteria London @NPSGallery tonight from 6–8pm for the launch of our this new exhibition catalogue:… https://t.co/RULDASdYQA
3 weeks ago

Last Day at Market Art + Design in the Hamptons #DamienHirst https://t.co/u4MXQ0qUqh
3 weeks ago

CURRENT: Sarah Lucas, Keeping it Real, Whitechapel Gallery

June 22, 2010 by Ellie

10 June - 5 September 2010 [caption id="attachment_6070" align="alignnone" width="510" caption="Sarah Lucas, Bunny Gets Snookered #10, 1997 Tan tights, red stockings, chair, steel clamp, kapok and wire, 104 x 71 x 89 cm, ©Sarah Lucas. Courtesy Sadie Coles HQ, London."]Sarah Lucas, Bunny Gets Snookered #10, 1997 Tan tights, red stockings, chair, steel clamp, kapok and wire, 104 x 71 x 89 cm, ©Sarah Lucas. Courtesy Sadie Coles HQ, London.[/caption] Marcel Duchamp’s iconic Fountain, 1917/64, a common urinal displayed on a plinth, is the starting point for exploring the way artists have used materials to look at the relationship between art and reality. This first in a series of four displays drawn from the D. Daskalopoulos Collection, Greece, brings together works by both well-known and rarely seen artists who address questions of identity, desire and human vulnerability. Louise Bourgeois’ hanging sculpture Fillette (Sweeter Version), 1968-99, Sherrie Levine’s bronze reworking of Duchamp’s ready-made and Robert Gober’s double-sexed torso, Untitled, 1991, share a sense of the surreal. The artist is immediately present in the body prints of David Hammons, Jim Hodge’s transfer prints made with his own saliva and Despina Isaia’s delicate weave of her hair. Marina Abramović washes a skeleton in her meditation on the trauma of genocide and the amnesia of society. Other artists on show include John Bock, Sarah Lucas and Sue Williams. For more information, visit the gallery website.