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Phillip Allen in Fade Away

November 19, 2010 by Kay

Fade Away: Painting between representation and abstraction Transition Gallery 3-24 December 2010

Gallery open Thur-Sat, 12-6pm Private View: Thur, 2 Dec, 6-9pm

Fade Away is the first in an ongoing series of exhibitions at Transition with guest curators focusing on the diversity of contemporary painting and exploring the ways in which artists are engaged with it.

Fade Away, which is curated by Alli Sharma, with an accompanying text by Barry Schwabsky, features paintings that oscillate between representation and abstraction. With widely diverse references and subject matter, they all share a strong material presence. Whatever the creative enquiry, they make you think about paint and the act of painting.

Some of the Fade Away artists work directly from the perceptible world; others use the representational as a point of departure into the abstract, or conversely, explore the abstract, which reveals itself as subject. The dialogue between surface and illusion, representation and abstraction performs a paradoxical balancing act where surfaces are brushed, scored, erased, layered, revealed, dripped and collapsed. Compositions teeter on the verge of illegibility where images emerge and fade away.

Artists include: Henny Acloque, Phillip Allen, Tim Bailey, Nathan Barlex, Mike Bartlett, Alice Browne, Lindsey Bull, Nick Carrick, Michelle Charles, Clem Crosby, Theo Cuff, Kaye Donachie, Sarah Douglas, Sarah Dwyer, Andrew Graves, Paul Housley, Thomas Hylander, Hannah Knox, Laura Lancaster, Robert Lang, Sarah Lederman, Eleanor Moreton, Mali Morris, Alex Gene Morrison, Nadia Mulder, Jill Mulleady, Mahali O’Hare, Scott O’Rourke, Joanna Pawlowska, Joanna Phelps, Benjamin Senior, Shaan Syed, Zack Thorne, Gavin Toye, Helen Turner, Claire Undy, David Webb, Robert Welch, Andy Wicks, Jo Wilmot.

Phillip Allen, Lovejoyvian (Original Version), 2007, oil on board, 36x46cm
Lindsey Bull, Night Owl, 2010, oil on linen, 35x34cm
Clem Crosby, Picabia, 2010, oil on Formica, 51x41cm