Latest Tweets

Artist Gonzalo Lebrija is currently part of a group exhibition at @museomaz in Mexico https://t.co/c1fpm3lRxQ https://t.co/GigMtMzMCG
4 days ago

Eat the Rich, by Damien Hirst in @Design_Week https://t.co/2qLAZU4zTw
5 days ago

#Hirst NEW series Eat the Rich depicts pharmaceutical packaging, replacing names by expressions of violence or forc… https://t.co/UnrCbLuivS
2 weeks ago

NEW print series by Damien Hirst: Eat the Rich, now available here: https://t.co/UPeYaXMLkZ https://t.co/sc2Rh5PKk0
2 weeks ago

Rachel Howard at Galería Pelaires until 13 September 2017 https://t.co/cwiT5D1Hgq https://t.co/upwjaXKtSc
3 weeks ago

NEW Good and Bad 100% silk pyjamas by Ashley Bickerton now available https://t.co/voloY9wtLW https://t.co/cMAyTXzJHK
3 weeks ago

Mat Collishaw: Thresholds will open at London’s @SomersetHouse on 18 May to coincide with @PhotoLondonFairhttps://t.co/LFHAn1BZIL
last month

'Thin Slivers of Hope' at Ground Floor Left

April 6, 2011 by Kay

‘One can literally ‘step’ through and across the surface of one of Paul Manners new paintings. Stepping with the eye is an alarming, contradictory and pleasurable experience. It involves working with and against the painting’s surface and includes generosity and seduction, and equally a type of dissent and failure. Turbulence occurs where the eye is asked to navigate the surface of these abstract paintings through peaks and troughs, through materiality and illusionism. The new work is assembled and constructed as well as conventionally painted.’ Alexis Harding, March 2011 Extract from “Notes from Paul Manners studio”

For more information on this exhibition, visit www.groundfloorleft.co.uk