Latest Tweets

Fiona Banner: Runway (AW 17) at @De_Pont Museum is the artist's first major presentation in the Netherlands… https://t.co/RIZb3wxtbY
16 hours ago

Behind the scenes: Mat Collishaw @BlainSouthern https://t.co/YEJlbAkse2 via @TheofficialLL https://t.co/qB14F38qrM
2 days ago

Other Criteria present available works by Ashley Bickerton to accompany @NPSGallery’s new exhibition… https://t.co/iPKsJqd3kd
2 days ago

Ashley Bickerton comes full circle with first UK retrospective at Damien Hirst’s gallery via @TheArtNewspaperhttps://t.co/tRke9qC3os
1 weeks ago

Other Criteria will be at #ArtMarketSanFrancisco2017 @artMRKT from April 27–30 #DamienHirst #HarlandMiller #Sarabiahttps://t.co/yKMZENJKUq
1 weeks ago

NEW titles to accompany Treasures from the Wreck of the Unbelievable, Damien Hirst’s most ambitious project to date… https://t.co/1zDpnHAPuw
2 weeks ago

Mat Collishaw: The Centrifugal Soul at @BlainSouthern presents the artist's new sculpture, installation & paintings… https://t.co/9L8zxhUHZ8
3 weeks ago

'Thin Slivers of Hope' at Ground Floor Left

April 6, 2011 by Kay

‘One can literally ‘step’ through and across the surface of one of Paul Manners new paintings. Stepping with the eye is an alarming, contradictory and pleasurable experience. It involves working with and against the painting’s surface and includes generosity and seduction, and equally a type of dissent and failure. Turbulence occurs where the eye is asked to navigate the surface of these abstract paintings through peaks and troughs, through materiality and illusionism. The new work is assembled and constructed as well as conventionally painted.’ Alexis Harding, March 2011 Extract from “Notes from Paul Manners studio”

For more information on this exhibition, visit www.groundfloorleft.co.uk