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Other Criteria is pleased to participate in Art Seattle from 3-6 August 2017, Booth E19 #DamienHirst #HarlandMillerhttps://t.co/GRn2fPNGaF
4 weeks ago

Damien Hirst's ‘Kaleidoscope’ paintings reference the spiritual symbolism of the butterfly. Image: Beneficence… https://t.co/G1BSpC3jgM
4 weeks ago

Damien Hirst's Psalm: Judica, Domino was published by Other Criteria in 2015 https://t.co/xLyO5GNIKc https://t.co/zxepzgz4pR
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Tom Ormond: Sunbeam, part of the series Eight Horizons, published by Other Criteria in 2014 https://t.co/EkUmPMSbgJ https://t.co/GA48QwX71H
5 weeks ago

Damien Hirst's ‘The Souls’ – published by Paul Stolper & Other Criteria, 2010 https://t.co/ONmp3eU1bu https://t.co/92e1D6ZF6e
5 weeks ago

Join Other Criteria London @NPSGallery tonight from 6–8pm for the launch of our this new exhibition catalogue:… https://t.co/RULDASdYQA
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Last Day at Market Art + Design in the Hamptons #DamienHirst https://t.co/u4MXQ0qUqh
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CURRENT EXHIBITION: Gavin & Turk

February 27, 2012 by Kay

Ben Brown Fine Arts Open until 20th April 2012

Like all artists, Gavin Turk's name is his brand and in the schizophrenic title for this show, he turns it into a family brand.   Throughout 25 years of artwork, Turk has questioned authorship, identity and the handmade.  This new exhibition is no exception, but here, he chooses to pay homage to Alighiero Boetti, an Italian conceptual artist prominent in the sixties and seventies, who is the subject of a Tate Modern retrospective, running 28 February - 27 May 2012.

Boetti was fascinated by symbols and created embroideries of the world map, with each country made from its own flag.  He saw his role as orchestrator, rather than executer of a work, with his original Mappas based on a schema by friend and collaborator Rinaldo Rossi and embroidered by a team of craftswomen in Kabul, Aghanistan.

Like Boetti, Turk is collaborating with a production team to create his latest embroideries.  The designs will be worked up by members of Fine Cell Work, a charity and social enterprise that teaches needlework to prison inmates, in order to support the rehabilitation process.  "I think one of the interesting things about tapestry is how slowly the picture comes out of the picture frame," says Turk.  "It's so intense. You have to go close and further away and close and further away; it's like the image slowly unweaving itself."