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Other Criteria is pleased to participate in Art Seattle from 3-6 August 2017, Booth E19 #DamienHirst #HarlandMillerhttps://t.co/GRn2fPNGaF
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Damien Hirst's ‘Kaleidoscope’ paintings reference the spiritual symbolism of the butterfly. Image: Beneficence… https://t.co/G1BSpC3jgM
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Damien Hirst's Psalm: Judica, Domino was published by Other Criteria in 2015 https://t.co/xLyO5GNIKc https://t.co/zxepzgz4pR
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Tom Ormond: Sunbeam, part of the series Eight Horizons, published by Other Criteria in 2014 https://t.co/EkUmPMSbgJ https://t.co/GA48QwX71H
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Damien Hirst's ‘The Souls’ – published by Paul Stolper & Other Criteria, 2010 https://t.co/ONmp3eU1bu https://t.co/92e1D6ZF6e
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Join Other Criteria London @NPSGallery tonight from 6–8pm for the launch of our this new exhibition catalogue:… https://t.co/RULDASdYQA
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Last Day at Market Art + Design in the Hamptons #DamienHirst https://t.co/u4MXQ0qUqh
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My Giant Colouring Book - Jake & Dinos Chapman

December 20, 2012 by Kay

Norwich University College of the Arts

4 December 2012 - 12 January 2013

A Hayward Touring exhibition from Southbank Centre, London

NUCA continues its Autumn-Winter Season by welcoming this Hayward Touring exhibition of etchings by Jake and Dinos Chapman. The Chapman brothers first came to prominence as part of the YBA movement of the 1990s. They featured in the Royal Academy's seminal 1997 exhibition 'Sensation', showing a sculptural version of Goya's disasters of war. They returned to Goya's work in 2003 when they caused outrage for painting their own ghoulish imagery over an original set of etchings.

My Giant Colouring Book returns to this method of working, this time appropriating join-the-dot drawings from a children's picture book. The naive innocence of the illustrations triggers a wild outpouring of fantastical imagery far removed from the original dot formations. This series of 21 etchings, published by The Paragon Press, London in 2004, offers a fascinating introduction to the imaginations of two of Britain's most inventive and subversive artists.

Many of the Chapmans' favourite themes are found here, often with a dark undercurrent. Monstrous creatures and hallucinatory scenes emerge, bristling with grotesque humour, and rich in allusions to art history: from medieval images of hell and damnation to Surrealism and Abstract Expressionism. The subjects include sabre-toothed owls, psychedelic grinning cats and bears trapped in the belly of the Loch Ness monster. In describing the series, Dinos Chapman commented "(they) are about how wrong you could make an image".