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Last day at #ArtVienna at the @Leopold_Museum #ArtFair https://t.co/xvWudDpTiJ https://t.co/JR5lWMDHLC
7 hours ago

In Vienna this weekend? Join us at the new art fair at the @Leopold_Museum #ArtVienna https://t.co/kDVyC3HBOh
2 days ago

At #ArtVienna booth 8B.2 until Sunday 26 February. #DamienHirst #DonBrown #HarlandMiller #RachelHowardhttps://t.co/KNu96mzmhP
3 days ago

Other Criteria will present works by #MustafaHulusi #DamienHirst & more at #ArtOnPaper2017 @artMRKT from March 2–5… https://t.co/KrqNs2zHP7
4 days ago

Detail of Damien Hirst's limited edition silkscreen print with glaze plus glitter – Psalm: Expectans expectavi… https://t.co/qoL8oBxfd3
2 weeks ago

Pleased to participate in the 1st edition of #ArtVienna from 23-26 Feb at the @Leopold_Museum @MacHoffmannhttps://t.co/0hEK1mM5yw
2 weeks ago

Other Criteria London is open until 10pm tonight alongside @NPSGallery and @Ph2restaurant #ValentinesDay https://t.co/CDdG2vhORQ
2 weeks ago

Tracey Emin X Harland Miller

December 17, 2013 by Emma

Tracey Emin and Harland Miller, two names synonymous with London’s contemporary art scene, come together in 'Dedication', the latest episode of the series in conjunction with EDITION Hotels, shot by their old friend, the long-time documentarian Johnnie Shand Kydd.

Rather than a collaboration, I see it more as helping each other out,” says Emin. “When I was a younger artist, we all used to do that.” Emin rose to international fame in the late 1990s as one of a new wave of British conceptual artists championed by collector Charles Saatchi, and featured in his seminal exhibition of 1997 Sensation. While Emin and Miller muse on the focused and frequently isolated world that artists inhabit in this video, they also discuss their occasional collaborations with other artists, including each other.

Miller has published several novels and become known for his large canvasses depicting satirical, fictional Penguin covers, and in 2008 organized an exhibition, You Dig the Tunnel, I’ll Hide the Soil, at London’s White Cube Gallery, where he asked artists as well as Emin to make a work as a response to a particular piece of writing by Edgar Allan Poe. Emin obliterated Miller’s own contribution to their joint work by painting over it, but Miller remained unfazed. “That’s a positive part of collaboration,” says Miller. “You have to take it on the chin.”