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Ashley Bickerton comes full circle with first UK retrospective at Damien Hirst’s gallery via @TheArtNewspaperhttps://t.co/tRke9qC3os
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Other Criteria will be at #ArtMarketSanFrancisco2017 @artMRKT from April 27–30 #DamienHirst #HarlandMiller #Sarabiahttps://t.co/yKMZENJKUq
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NEW titles to accompany Treasures from the Wreck of the Unbelievable, Damien Hirst’s most ambitious project to date… https://t.co/1zDpnHAPuw
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Mat Collishaw: The Centrifugal Soul at @BlainSouthern presents the artist's new sculpture, installation & paintings… https://t.co/9L8zxhUHZ8
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RT @lnzprs: Amazing exhibition #DamienHirst! catalogue by @other_criteria @MarsilioEditori #PalazzoGrassi https://t.co/6ajNodZzjG
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At @sp_arte presenting limited edition works by Damien Hirst until Sunday 9th April #Brasil https://t.co/Kr5shXeXZ6 https://t.co/KI84T68Xrx
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Sneak pic from our booth at @sp_arte #DamienHirst #spotprints https://t.co/UlZ9R3Yccj
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An American in Paris, Gagosian Gallery

February 12, 2014 by Kay

Until 3rd May 2014

Gagosian Gallery, Paris

AmericaninParis

"An American in Paris: Works from a Private Collection" Photo by Zarko Vijatovic

From Andy Warhol’s Campbell’s Black Bean Soup of 1962 to Jeff Koons’ Hole III of 2008, An American in Paris presents a panorama of the avant-garde of the past half century. This selection from a bold and discerning American collection highlights pivotal, often large-scale works from contemporary artists who have persistently engaged unexpected subject matter through uncommon media. Richard Prince’s The Housewife and the Grocer (1988)–pink text on a matte gold background–is an archetypal work from his deadpan Joke series; the crusted surface of a black canvas by Damien Hirst is, upon closer scrutiny, comprised by thousands of dead flies. Read more about the exhibition on the Gagosian Gallery website.