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Sneak pic from our booth H2 (warehouse 4) at @artriofair #damienhirst https://t.co/yN2pxhMiRA
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Last day @expochicago #ArtFair #ExpoChicago2016 https://t.co/PUJENixBhi
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Other Criteria is at @expochicago booth 911 until Sunday 25 September https://t.co/6vPWmnu7mh #DamienHirsthttps://t.co/ugzRqlGSwG
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Rachel Howard's largest solo exhibition in Italy opens at Macro Testaccio #Roma https://t.co/rG56sAbqYU https://t.co/WZx6VNmFPW
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Adam Dix’s exhibition ‘All Are Welcome’ will be running at @elevenfineart from 23 September to 29 October 2016.… https://t.co/kDf5CAeMhA
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Other Criteria will be @expochicago Sep. 22-25, booth 451 #DamienHirst #HarlandMiller https://t.co/CKsLLf9s3i https://t.co/Rl038tlC4o
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Michael Joo exhibition: 'Barrier Island' @SCADdotedu https://t.co/6f1MpvqTRF
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An American in Paris, Gagosian Gallery

February 12, 2014 by Kay

Until 3rd May 2014

Gagosian Gallery, Paris

AmericaninParis

"An American in Paris: Works from a Private Collection" Photo by Zarko Vijatovic

From Andy Warhol’s Campbell’s Black Bean Soup of 1962 to Jeff Koons’ Hole III of 2008, An American in Paris presents a panorama of the avant-garde of the past half century. This selection from a bold and discerning American collection highlights pivotal, often large-scale works from contemporary artists who have persistently engaged unexpected subject matter through uncommon media. Richard Prince’s The Housewife and the Grocer (1988)–pink text on a matte gold background–is an archetypal work from his deadpan Joke series; the crusted surface of a black canvas by Damien Hirst is, upon closer scrutiny, comprised by thousands of dead flies. Read more about the exhibition on the Gagosian Gallery website.