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Mat Collishaw: Thresholds will open at London’s @SomersetHouse on 18 May to coincide with @PhotoLondonFairhttps://t.co/LFHAn1BZIL
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Damien Hirst’s ‘Treasures from the Wreck of the Unbelievable’ on display in Venice as Biennale opens… https://t.co/RqnwpfujCh
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Now available: Damien Hirst's Treasures From The Wreck of the Unbelievable: One Hundred Drawings Book… https://t.co/sg5UWCGama
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NEW Damien Hirst’s Ltd Edition Book The Undersea Salvage Operation #TreasuresfromtheWreckoftheUnbelievable Availabl… https://t.co/DMVnIUuCav
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Other Criteria publishes new wallpapers by Damien Hirst – available here: https://t.co/K6kcCEgTil https://t.co/17tvkz5bSQ
3 weeks ago

Last Day at Art Market San Francisco #DamienHirst #HarlandMiller #EduardoSarbia #PaolaPetrobellihttps://t.co/DLhjx19nTN
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At Art Market San Francisco until Sunday 30th April https://t.co/S6AdsnqDva https://t.co/bYMZQmaKpL
4 weeks ago

Tim Noble and Sue Webster – Blind Painting

November 4, 2014 by Ishah

Their first solo exhibition in New York since 2008, Tim Noble and Sue Webster will be exhibiting 'Blind Painting' at The Suzanne Geiss Company on the 13th of November until December the 20th 2014.

Recognised for their sculptural shadow portraits built from waste and debris, prints and casts of their body parts, Tim and Sue engage in blindfolding themselves to make portraits of each other from memory. They explore the strangeness when immersed in the unfamiliar; they explore the tension between control and chaos when trying to depict each other’s features and personalities. They welcome the subconscious to flow through into their paintings creating obscured contoured black and white blind paintings. The exhibition comprises of large black and white paintings as well as works on paper created by the artist’s feet.

A second series of work concentrates on the fluidity and unrestricted nature of painting, by wiping and flicking left over paint to create paintings that embody the nature of doing and making without thinking. Tim and Sue continue to play with the traditional understanding of portraiture, abstraction and collaboration in their solo exhibition Blind Painting.