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Detail of Damien Hirst's limited edition silkscreen print with glaze plus glitter – Psalm: Expectans expectavi… https://t.co/qoL8oBxfd3
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Pleased to participate in the 1st edition of #ArtVienna from 23-26 Feb at the @Leopold_Museum @MacHoffmannhttps://t.co/0hEK1mM5yw
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Other Criteria London is open until 10pm tonight alongside @NPSGallery and @Ph2restaurant #ValentinesDay https://t.co/CDdG2vhORQ
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Last day at @ZonaMaco #DamienHirst #EduardoSarabia #PaolaPetrobelli https://t.co/URzK7LUU3I https://t.co/HcXhQawrOu
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Join us at @ZonaMaco this weekend to see works by Eduardo Sarabia, Damien Hirst, Paola Petrobelli – booth ZMD1 unti… https://t.co/4tgDXqCqGy
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Tim Noble and Sue Webster get the right end of the stick in their latest show https://t.co/xdqqdLFabq via… https://t.co/U4yMpCBxiH
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Sneak pic from our booth ZMD12 @ZonaMaco #EduardoSarabia #DamienHirst #PaolaPetrobelli https://t.co/6ZVB2mJQiY
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Tim Noble and Sue Webster – Blind Painting

November 4, 2014 by Ishah

Their first solo exhibition in New York since 2008, Tim Noble and Sue Webster will be exhibiting 'Blind Painting' at The Suzanne Geiss Company on the 13th of November until December the 20th 2014.

Recognised for their sculptural shadow portraits built from waste and debris, prints and casts of their body parts, Tim and Sue engage in blindfolding themselves to make portraits of each other from memory. They explore the strangeness when immersed in the unfamiliar; they explore the tension between control and chaos when trying to depict each other’s features and personalities. They welcome the subconscious to flow through into their paintings creating obscured contoured black and white blind paintings. The exhibition comprises of large black and white paintings as well as works on paper created by the artist’s feet.

A second series of work concentrates on the fluidity and unrestricted nature of painting, by wiping and flicking left over paint to create paintings that embody the nature of doing and making without thinking. Tim and Sue continue to play with the traditional understanding of portraiture, abstraction and collaboration in their solo exhibition Blind Painting.