Latest Tweets

Artist Gonzalo Lebrija is currently part of a group exhibition at @museomaz in Mexico https://t.co/c1fpm3lRxQ https://t.co/GigMtMzMCG
4 days ago

Eat the Rich, by Damien Hirst in @Design_Week https://t.co/2qLAZU4zTw
5 days ago

#Hirst NEW series Eat the Rich depicts pharmaceutical packaging, replacing names by expressions of violence or forc… https://t.co/UnrCbLuivS
2 weeks ago

NEW print series by Damien Hirst: Eat the Rich, now available here: https://t.co/UPeYaXMLkZ https://t.co/sc2Rh5PKk0
2 weeks ago

Rachel Howard at Galería Pelaires until 13 September 2017 https://t.co/cwiT5D1Hgq https://t.co/upwjaXKtSc
3 weeks ago

NEW Good and Bad 100% silk pyjamas by Ashley Bickerton now available https://t.co/voloY9wtLW https://t.co/cMAyTXzJHK
3 weeks ago

Mat Collishaw: Thresholds will open at London’s @SomersetHouse on 18 May to coincide with @PhotoLondonFairhttps://t.co/LFHAn1BZIL
last month

Michael Craig-Martin: Transience

November 24, 2015 by Mary

25 Nov 2015 to 14 Feb 2016

This winter, the Serpentine presents an exhibition by Michael Craig-Martin, one of the best-known British artists of his generation. This is the first solo show of Craig-Martin’s work in a London public institution since 1989.

Michael-Craig-Martin-Transience-Serpentine-Gallery-untitled-light-bulb-2024

Michael Craig Martin, Untitled (light blurb), 2014
Acrylic on aluminium, Private Collection
Photo: Mike Bruce, courtesy of Serpentine Gallery

This exhibition by Michael Craig-Martin will bring together works from 1981 to 2015, including his era-defining representations of once familiar yet obsolete technology; laptops, games consoles, black-and-white televisions and incandescent lightbulbs that highlight the increasing transience of technological innovation. The exhibition will also feature new wallpaper that has been conceived especially for the exhibition.

From the earliest work in the show, a wall drawing first produced in 1981 (the same year that the first personal computer was made available), to a painting from 2014 that depicts the minimal lines of an iPhone, Craig-Martin’s work has recorded the profound impact that electronic technology has had on the way we consume and communicate. The exhibition explores the seismic shift from analogue processes to digital technologies that informed the production and distribution of new kinds of objects in the late 20th and early 21st centuries.

Craig-Martin's early works explored the conceptual possibilities of contemporary art, testing the boundaries between functional and functionless forms. The introduction of digital technology in recent years has resulted in the breakdown of the relationship between form and function, a process that Craig-Martin captures in his depictions of successive inventions, from the battery to the cassette to the laptop.

Michael-Craig-Martin-Fake-Limited-Edition-Print-Other-Criteria

Michael Craig-Martin, Fake
Limited edition print available at Other Criteria

Craig-Martin has participated in a number of Serpentine events and group exhibitions: Memory Marathon (2012); Map Marathon (2011), Wall to Wall (1994), Here and Now: Twenty-three years of the Serpentine Gallery (1993); Objects for the Ideal Home: The Legacy of Pop Art (1991); Vessel: Sculpture, Glass, Ceramics (1987); Summer Show 5 (1976, as selector) and Art as Thought Process (1974). He also produced a new map, linking the Serpentine’s two buildings, to celebrate the opening of the Serpentine Sackler Gallery in 2013.

Serpentine Gallery
Kensington Gardens
London W2 2AR