Latest Tweets

Other Criteria is pleased to participate in Art Seattle from 3-6 August 2017, Booth E19 #DamienHirst #HarlandMillerhttps://t.co/GRn2fPNGaF
4 weeks ago

Damien Hirst's ‘Kaleidoscope’ paintings reference the spiritual symbolism of the butterfly. Image: Beneficence… https://t.co/G1BSpC3jgM
5 weeks ago

Damien Hirst's Psalm: Judica, Domino was published by Other Criteria in 2015 https://t.co/xLyO5GNIKc https://t.co/zxepzgz4pR
last month

Tom Ormond: Sunbeam, part of the series Eight Horizons, published by Other Criteria in 2014 https://t.co/EkUmPMSbgJ https://t.co/GA48QwX71H
last month

Damien Hirst's ‘The Souls’ – published by Paul Stolper & Other Criteria, 2010 https://t.co/ONmp3eU1bu https://t.co/92e1D6ZF6e
last month

Join Other Criteria London @NPSGallery tonight from 6–8pm for the launch of our this new exhibition catalogue:… https://t.co/RULDASdYQA
last month

Last Day at Market Art + Design in the Hamptons #DamienHirst https://t.co/u4MXQ0qUqh
last month

Mat Collishaw: Folly!

April 22, 2016

This summer, Mat Collishaw will be presenting two new site-specific sculptures at the National Trust's Fountains Abbey and Studley Royal Water Garden in North Yorkshire as part of their Folly! programme.


Mat Collishaw has created two striking new installations for the follies in Fountains Abbey and Studley Royal - a National Trust World Heritage Site in Yorkshire. A co-commission between the Trust and Blain|Southern, the works draw upon the history of the buildings, creating optical illusions that echo ghosts of the follies past.

Situated in the 18th century landscape surrounding the abbey, the follies will be transformed by Collishaw’s immersive and captivating installations. The Banqueting House is the site for a major new 3D zoetrope titled Seria Ludo. The work is a glowing, strobe lit chandelier, covered with 186 carousing Lilliputian figures, conjuring up a scene of excitement and debauchery as complex engineering rouses a spiralling dervish of dissolute behaviour.

Serenely stationed at the edge of the garden’s Moon Ponds, the Temple of Piety will be the setting for a more tranquil work, The Pineal Eye. Echoing the circulat forms of the ponds outside, the mirrored domes conjure upan ethereal mirage of the Roman depiction of piety; a daughter feeding her imprisoned father from her breast - an illusion which mirrors the Georgian relief located on the rear Temple wall.

The canals, ponds and cascade offer pictorial beauty and also function as hydraulic balancing systems for the river Skell that flows through Fountains Abbey. Inspired by this form of release both of Collishaw's works;  Seria Ludo and The Pineal Eye reveal an explosion of tension, with themes that plumb into the follies' principles of pleasure and piety.

Folly! at Fountains Abbey and Studley Royal,
Ripon, HG4 3DY
April 23–October 30th 2016