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Other Criteria is pleased to participate in Art Seattle from 3-6 August 2017, Booth E19 #DamienHirst #HarlandMillerhttps://t.co/GRn2fPNGaF
4 weeks ago

Damien Hirst's ‘Kaleidoscope’ paintings reference the spiritual symbolism of the butterfly. Image: Beneficence… https://t.co/G1BSpC3jgM
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Damien Hirst's Psalm: Judica, Domino was published by Other Criteria in 2015 https://t.co/xLyO5GNIKc https://t.co/zxepzgz4pR
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Tom Ormond: Sunbeam, part of the series Eight Horizons, published by Other Criteria in 2014 https://t.co/EkUmPMSbgJ https://t.co/GA48QwX71H
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Damien Hirst's ‘The Souls’ – published by Paul Stolper & Other Criteria, 2010 https://t.co/ONmp3eU1bu https://t.co/92e1D6ZF6e
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Join Other Criteria London @NPSGallery tonight from 6–8pm for the launch of our this new exhibition catalogue:… https://t.co/RULDASdYQA
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Last Day at Market Art + Design in the Hamptons #DamienHirst https://t.co/u4MXQ0qUqh
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Rachel Howard in Animal Farm – Beastly Muses and Metaphors at Sotheby's

June 8, 2016 by Mary

Sotheby’s Contemporary art gallery "S|2" present Animal Farm: Beastly Muses and Metaphors, an exhibition that explores the multifaceted relationship between man and animal. From the beginning of recorded human history animals have been embedded in man’s psyche, represented in literature, music, religion and astrology. Through artistic expression in particular, animals often serve as metaphors for our own intrinsic human characteristics.

Rachel-Howard-in-Animal-Farm-Beastly-Muses-and-Metaphors-at-Sotherby-s

Rachel Howard, Rutting Shed, 2013
Oil on canvas

With such a primordial connection, it is unsurprising that some of the greatest artists of modern times have used animals as their muses, often, returning time and time again to the same creatures, in an almost compulsive study. As is the case with many of the artists in Animal Farm: Beastly Muses and Metaphors, the animals of their attention ultimately act as metaphors for their deeper artistic explorations: mortality, memory, identity, religion and the human body.

The exhibition is curated by Susanne van Hagen. 

S|2, 31 St. George Street, London W1S 2FJ
9 June – 22 July, 2016